I created my own MySpace profile more than a year ago and despite not really doing much with it, I've gotten over 800 profile views. So I've decided to upload a few songs to MySpace to see if the profile views are real and if they'll actually translate into plays of the songs.
Still, I have far more friends on Facebook than MySpace. So, I've also created a Facebook musician page and made the same songs available there. I actually started creating the page many months ago but just didn't publish it. I had wanted to add a music player first so that people could actually listen to songs on the page. However, the Facebook player required me to scan in a legal form of identification and to send that for approval so that Facebook could authenticate whether I really had the rights to upload the songs. This was a bit of a hassle and so for quite some time I just didn't do it. This past weekend, I decided to look at some alternatives and found out that I can use the iLike music player instead. So I created an iLike profile and added the app to my Facebook musician page. The iLike Song player automatically includes links to iTunes so people can buy and download the songs that they like. The iLike Facebook page also automatically searches for related videos on YouTube and invites listeners to suggest videos as well. Pretty cool.
I haven't found a way to link to iTunes from my MySpace profile, yet. It seems that MySpace should allow you to link up to Amazon -- where my songs are also available. But I haven't figured out how to do this. If anyone knows anything about this, let me know.
Creating a separate musician page on Facebook is nice because it splits out friends from fans. While you may want to keep your list of friends on the more personal side, you may be less sensitive about having your fan base grow untethered. There are a couple of drawbacks, though. First, you may discover that you really have absolutely no fans whatsoever and that your friends don't really care for your music. Although this can be somewhat bruising at first, I think it's better to know this now so that you can starting find the people that do care and avoid spamming those that don't. Second, it's awkward to have to add yourself as a fan of yourself, as Facebook encourages you to do. When you do, you basically broadcast to all of your friends that you are a fan of yourself, which just sounds silly. I'd prefer that when you publish your musician page, Facebook would simply send out a status update to your friends that indicates that you've done this -- and include a link to the page so people can check it out.
One thing that I'm particularly unhappy with Facebook, MySpace, and iLike about is that there's no native support for pulling an RSS feed from an external blog and have it automatically populate each profile. I don't want to have to copy blog posts from my blog to each profile. So instead my only recourse was to look for and add third-party RSS readers to the profiles. None of the readers is perfect, but I've found a couple of decent apps that I'm currently using.
In addition to comparing the organic listener growth (if any) from each social network, it'll be interesting to explore and compare the feature sets and usability of each service as well. I'll write more about what I find out in future posts.
Sunday, March 22, 2009
Saturday, January 31, 2009
Quiet plodding
Since my last post, so much has happened. The economy took a dive, the elections occurred, the holidays came and went, 2009 kicked off, and our new president took office. My personal life has been tainted with unexpected losses, yet buoyed by eager expectations and anticipation.
Through it all, the writing and music making has been progressing quietly in the background. My home studio has been taken down to make way for additional space that we need, so the recording has come to a halt. But I've managed to find some time to write a couple of new songs and to continue practicing some others. Until I find some where else to set the studio up, I'll keep chipping away on the remaining songs in the works and learning to play them. Then, when I do get the studio set up, hopefully the recording will go much more smoothly. That's the plan, anyway.
Oh and thanks to those of you who sent me feedback on Somethin' American. It's always great to hear insightful comments from you and to feel your continued support!
Through it all, the writing and music making has been progressing quietly in the background. My home studio has been taken down to make way for additional space that we need, so the recording has come to a halt. But I've managed to find some time to write a couple of new songs and to continue practicing some others. Until I find some where else to set the studio up, I'll keep chipping away on the remaining songs in the works and learning to play them. Then, when I do get the studio set up, hopefully the recording will go much more smoothly. That's the plan, anyway.
Oh and thanks to those of you who sent me feedback on Somethin' American. It's always great to hear insightful comments from you and to feel your continued support!
Wednesday, October 15, 2008
Somethin' American
With the Beijing Olympics behind us and the US presidential elections just before us, with the housing market and our once esteemed economy on life support, and with our stature in and policies on world affairs increasingly questioned, we have rarely needed a period of patriotism and focus on unity and commonality as much as we do now.
While I was happy that during this year's summer games the American-beats-Michelle-Kwan incident felt less relevant than ever, I am a little bit discouraged when the US presidential campaigns start to drudge up questions about race and fear of Somethin' Americans.
This song is about the hope that there exists unity in diversity. It's about commonality. The simple things that tie is together. The fact that we live where we do or grew up where we did. Our clothing, our right to vote, the air that we breathe; the fruit, vegetables, and meat that we find in our grocery stores. It's all the same stuff. We may wear it or prepare it differently, but it's the same.
Ironically, the most American I've felt has not been while living in any of the nine states that I've lived in. It's not when I've cast my vote, or paid my taxes. It's when I've traveled abroad to Europe or Asia and have been immersed in other cultures. That's when it becomes plainly obvious. There's never any discussion about whether I'm Somethin' American or not. They just see me -- and treat me -- as American.
There are times when we need to dissect our differences and in doing so realize opportunities to educate, communicate, and progress. There are times when we need to find inspiration in commonality. Now is a time for the latter. Although we can all claim to be Somethin' American, now is the time when we ought all to simply be, American.
While I was happy that during this year's summer games the American-beats-Michelle-Kwan incident felt less relevant than ever, I am a little bit discouraged when the US presidential campaigns start to drudge up questions about race and fear of Somethin' Americans.
This song is about the hope that there exists unity in diversity. It's about commonality. The simple things that tie is together. The fact that we live where we do or grew up where we did. Our clothing, our right to vote, the air that we breathe; the fruit, vegetables, and meat that we find in our grocery stores. It's all the same stuff. We may wear it or prepare it differently, but it's the same.
Ironically, the most American I've felt has not been while living in any of the nine states that I've lived in. It's not when I've cast my vote, or paid my taxes. It's when I've traveled abroad to Europe or Asia and have been immersed in other cultures. That's when it becomes plainly obvious. There's never any discussion about whether I'm Somethin' American or not. They just see me -- and treat me -- as American.
There are times when we need to dissect our differences and in doing so realize opportunities to educate, communicate, and progress. There are times when we need to find inspiration in commonality. Now is a time for the latter. Although we can all claim to be Somethin' American, now is the time when we ought all to simply be, American.
Sunday, August 31, 2008
Campfire dynamics, Costanoa, plus video update
Last Thursday and Friday I had the chance to do some light car camping with coworkers at an "eco adventure resort," Costanoa, which is about 24 miles south of Half Moon Bay in the San Francisco Bay Area.
Among any group of people around any campfire, it almost always seems like there's a handful of folks who know how to play a tune on the guitar. How these ax wielders reveal their hidden talents to the group -- or even whether they reveal them at all -- is always an interesting phenomenon to behold.
First, there are those that actually bring their guitars to the campground -- they've learned a few songs, have played mainly in isolation, and recognize an opportunity to perform. Not all of them will actually gather up the courage to take their guitars out of their cars, however. Those that bring their guitars to the campfire and actually take them out of the case will fall into a couple of different categories. Some will play quietly and wait for the attention of the larger group. Others will boldly take charge and start playing a full set. Among those that did not bring a guitar, there are some who will volunteer to play the single song they know... then eek out a few notes that are barely discernible, yet somewhat entertaining. Then there are those that insist they do not play but leave enough hints to suggest that they are holding something back. After some persuading, they reluctantly pick up the guitar and then proceed to play a number that far exceeds expectations.
Regardless, of their personality type and skill level, almost anyone who has played guitar has at one point pondered the allure of strumming a guitar around a campfire for a captive, participative audience that sings along and sways, arms in arms, to Kumbaya or another campfire standard -- although this scenario does not always materialize.
For me, I'm likely to bring my guitar to a campground, but I'm not sure that I know enough cover songs to sufficiently lead an intimate sing along. I do have some covers that I can pull out of my back pocket and I'm more than happy to play my own stuff, if asked, but I probably won't force it on anyone. I often find myself savoring some other opportunities to play. On this trip, I woke up early on Friday morning and, before breakfast, made my way to the beach where I sang and played my backpacker guitar to the crashing waves and serene seaside. Playing by the ocean is one of my favorite places to play.
Finally, I should let you know that I did start the process of recording some video for this blog this month. I set up a video camera and some microphones and did a number of takes. Unfortunately, my home studio has some noise and lighting constraints that limit the amount of time that I can actually record. That said, I've been making some revisions to the way I'm playing and singing this particular song and I'm nearing a good solid take that I'll be able to post soon. Stay tuned!
Among any group of people around any campfire, it almost always seems like there's a handful of folks who know how to play a tune on the guitar. How these ax wielders reveal their hidden talents to the group -- or even whether they reveal them at all -- is always an interesting phenomenon to behold.
First, there are those that actually bring their guitars to the campground -- they've learned a few songs, have played mainly in isolation, and recognize an opportunity to perform. Not all of them will actually gather up the courage to take their guitars out of their cars, however. Those that bring their guitars to the campfire and actually take them out of the case will fall into a couple of different categories. Some will play quietly and wait for the attention of the larger group. Others will boldly take charge and start playing a full set. Among those that did not bring a guitar, there are some who will volunteer to play the single song they know... then eek out a few notes that are barely discernible, yet somewhat entertaining. Then there are those that insist they do not play but leave enough hints to suggest that they are holding something back. After some persuading, they reluctantly pick up the guitar and then proceed to play a number that far exceeds expectations.
Regardless, of their personality type and skill level, almost anyone who has played guitar has at one point pondered the allure of strumming a guitar around a campfire for a captive, participative audience that sings along and sways, arms in arms, to Kumbaya or another campfire standard -- although this scenario does not always materialize.
For me, I'm likely to bring my guitar to a campground, but I'm not sure that I know enough cover songs to sufficiently lead an intimate sing along. I do have some covers that I can pull out of my back pocket and I'm more than happy to play my own stuff, if asked, but I probably won't force it on anyone. I often find myself savoring some other opportunities to play. On this trip, I woke up early on Friday morning and, before breakfast, made my way to the beach where I sang and played my backpacker guitar to the crashing waves and serene seaside. Playing by the ocean is one of my favorite places to play.
Finally, I should let you know that I did start the process of recording some video for this blog this month. I set up a video camera and some microphones and did a number of takes. Unfortunately, my home studio has some noise and lighting constraints that limit the amount of time that I can actually record. That said, I've been making some revisions to the way I'm playing and singing this particular song and I'm nearing a good solid take that I'll be able to post soon. Stay tuned!
Wednesday, July 30, 2008
Album update
Some of you have been asking me for an update on the new album and it's definitely about time I provided that. When I set out last year to work on it, I was hoping that I would have something out by this fall. With less than a couple of months to go until autumn, however, the feasibility of this happening is dwindling. Between an increasingly demanding job, moving and settling into a new place, and other personal responsibilities, the daily grind has had its foot on the neck of my creative being and has not let up. I am pressing on, though, and I have been playing and writing. Just at a slower pace.
In the mean time, I'm thinking of recording some songs and putting them on YouTube and maybe MySpace. Although the recording quality won't be great, it's much quicker and it'll give you a chance to hear some of the new stuff and new arrangements of the old stuff. It also could be fun to participate a bit more in the growing virtual coffeehouse that YouTube is becoming. So stay tuned!
In the mean time, I'm thinking of recording some songs and putting them on YouTube and maybe MySpace. Although the recording quality won't be great, it's much quicker and it'll give you a chance to hear some of the new stuff and new arrangements of the old stuff. It also could be fun to participate a bit more in the growing virtual coffeehouse that YouTube is becoming. So stay tuned!
Saturday, June 14, 2008
Wedding profiled by Junebug
My wife and I recently celebrated our one year wedding anniversary. Around the same time, we were approached by Junebug Weddings -- a wedding blog and planning service based in Seattle -- 
to have our wedding featured in the "Real Weddings" portion of their blog. After we agreed to do this, they called us up and chatted with us over the phone about the planning of the day, our most prominent memories, and a bit about our story. While we were surprised by some of the details we had forgotten already, we enjoyed the trip down memory lane and the chance to relive our wedding day once again.
Junebug published the post yesterday. You can check out our "real weddings" profile on the Junebug site, as well as our entry on the "what Junebug loves" blog. As you browse through the pictures (photos taken by Joey Hong), note that my wife deserves all the credit for the aesthetic qualities of our wedding -- she did an amazing job planning it. And she looked absolutely stunning walking down the aisle.
I will, however, claim advanced credit for writing a song about our wedding day -- Song #2 on the new album. Although I wrote the song last summer, I haven't recorded it yet... so you'll have to take my word on this for now!
to have our wedding featured in the "Real Weddings" portion of their blog. After we agreed to do this, they called us up and chatted with us over the phone about the planning of the day, our most prominent memories, and a bit about our story. While we were surprised by some of the details we had forgotten already, we enjoyed the trip down memory lane and the chance to relive our wedding day once again. Junebug published the post yesterday. You can check out our "real weddings" profile on the Junebug site, as well as our entry on the "what Junebug loves" blog. As you browse through the pictures (photos taken by Joey Hong), note that my wife deserves all the credit for the aesthetic qualities of our wedding -- she did an amazing job planning it. And she looked absolutely stunning walking down the aisle.
I will, however, claim advanced credit for writing a song about our wedding day -- Song #2 on the new album. Although I wrote the song last summer, I haven't recorded it yet... so you'll have to take my word on this for now!
Saturday, May 31, 2008
Watching John Mayer perform at a conference
A few weeks ago I was at a conference in Orlando. One highlight for me was getting a chance to watch John Mayer perform an acoustic set at the conference with two other guitarists. Ever since I was in Arizona and I'd go to small coffee shops to watch my friends Rick and Steve play intimate acoustic sets, I've liked the sound of just a couple of acoustic guitars on stage. One of the best concerts I've been to was watching Dave Matthews and Tim Reynolds in Oakland a few years ago, packing in the coliseum.
Not only did I thoroughly enjoy the hour-long acoustic set by the Mayer trio, I got to watch it from about fifteen feet away. There were over five thousand people at the conference, but not nearly that many turned out for the concert. And the performance took place in a relatively large conference hall with plenty of food and drink to occupy the guests -- many of whom expressed little more than casual curiosity for the live music. So although I was pretty close to the stage, I felt at times like I was watching a local band in a bar where the chatter from the crowd nearly drowns out the music. I've certainly played in that sort of environment before; it was encouraging to see that even guys like Mayer have to play through the chatter every now and then.
The Mayer trio played a mix of his radio hits, a couple of covers, and some bluesy tunes that I hadn't heard before. Tempo-wise the songs were fairly similar -- all pretty upbeat and nothing too slow, probably a good combination for this audience. I also noticed that his lyrics seemed to be a bit more on the wordy side in contrast to someone like Jack Johnson, yet he still makes it work. Interestingly enough, despite Mayer's numerous radio hits the song that drew out the most camera phones and snap shots and cheers may have been the trio's cover of Tom Petty's Free Falling. I wonder if covering songs like this allows Mayer to expand his fan base to new demographics?
I also wonder if popular covers are a testament to the power of well-written songs? While it may take great performers to break hit songs, I think the fact that some songs can grow more and more popular with repeated covers highlights the fundamental importance of composition.
Not only did I thoroughly enjoy the hour-long acoustic set by the Mayer trio, I got to watch it from about fifteen feet away. There were over five thousand people at the conference, but not nearly that many turned out for the concert. And the performance took place in a relatively large conference hall with plenty of food and drink to occupy the guests -- many of whom expressed little more than casual curiosity for the live music. So although I was pretty close to the stage, I felt at times like I was watching a local band in a bar where the chatter from the crowd nearly drowns out the music. I've certainly played in that sort of environment before; it was encouraging to see that even guys like Mayer have to play through the chatter every now and then.
The Mayer trio played a mix of his radio hits, a couple of covers, and some bluesy tunes that I hadn't heard before. Tempo-wise the songs were fairly similar -- all pretty upbeat and nothing too slow, probably a good combination for this audience. I also noticed that his lyrics seemed to be a bit more on the wordy side in contrast to someone like Jack Johnson, yet he still makes it work. Interestingly enough, despite Mayer's numerous radio hits the song that drew out the most camera phones and snap shots and cheers may have been the trio's cover of Tom Petty's Free Falling. I wonder if covering songs like this allows Mayer to expand his fan base to new demographics?
I also wonder if popular covers are a testament to the power of well-written songs? While it may take great performers to break hit songs, I think the fact that some songs can grow more and more popular with repeated covers highlights the fundamental importance of composition.
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